Sartre's greatest novel — and existentialism's key text — now introduced by James Wood.
Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogs his every feeling and sensation. His thoughts culminate in a pervasive, overpowering feeling of nausea which “spreads at the bottom of the viscous puddle, at the bottom of our time — the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain.”
Winner of the 1964 Nobel Prize in Literature (though he declined to accept it), Jean-Paul Sartre — philosopher, critic, novelist, and dramatist — holds a position of singular eminence in the world of French letters. La Nausée, his first and best novel, is a landmark in Existential fiction and a key work of the twentieth century.
Richard Howard is the author of eleven books of poetry, including Untitled Subjects, which won the Pulitzer Prize in 1970. He is the translator for more than 150 works from the French language. He received the American Book Award for his translation of Charles Baudelaire’s Les Fleurs du Mal.
James Wood, the prominent critic, essayist, and novelist, is a professor at Harvard and a staff writer for The New Yorker. Born in Durham, England, he began his career at The Guardian and later became a senior editor at The New Republic. He currently serves on the editorial board of The London Review of Books and The Common in Cambridge, MA. His books include The Irresponsible Self: On Laughter and the Novel, How Fiction Works, and, most recently, The Fun Stuff: And Other Essays.
— Atlantic Monthly
With Nausea Sartre has succeeded magnificently—and horribly—in extending the realm of the novel to the outermost reaches of naked self-examination.
— Harvey Swados - New York Post
It is the most enjoyable book Sartre has ever written.
— A.J. Liebling - The New Yorker